There are three major schools of thought among the left when it comes to literary aesthetics. The position of the person’s hands in respect to the line of writing will provide the answer to each of these inquiries. You may divide them into three categories, as follows:


It’s easy to see why this writing style is the best: it’s very adaptable. Underwriters write with the palm of their hand pointing downward and the nibs perpendicular to the writing line. Users may use any pen or ink without worrying about smudging or ink flow problems. The pen’s angle or feedback will be much less of an issue for them. Choosing the best pens for lefties might be quite problematic here.


Writers that are left-handed hold their nibs at right angles to the line they are creating ink on, and their hands often travel over the freshly made ink. Once the pen angle becomes too steep, smearing and feedback might become issues while writing on the side. They are the most susceptible to smudging and other issues caused by pushing the pen to the page. The tension of writing may be alleviated in a few different ways: by choosing a drier ink that leaves less moisture on the paper to smear; by tilting the paper at an angle to move the hand away from the writing line; or by switching to a more absorbent paper that sops up the ink. These are just a few of the options available to freelance writers who are looking for ways to reduce the pressures of their work.


Overwriters are the third and final classification. Since their hands seem to be hooked over their writing, these persons are sometimes referred to as “hook-handed writers.” An overwriter’s pen angle is more likely to be choppy since they hold the pen at an unusually vertical angle, which may lead to smearing issues. Overwriters can try a variety of techniques to alleviate the common problems they face, such as adjusting the paper to their writing style and reducing their angle, switching to a wetter flowing ink, or loosening their grip on the pen to hold it further back if they experience flow issues due to their writing angle. All of these are feasible options for easing the typical burdens encountered by the overwriter.

Use smaller, finer-tipped pens with inks that are more fluid. If you want to utilise every single one of the stunning colours, you won’t have to worry about any of them blending together. On a special occasion, I’ll add a dash of De Atramentis Sherlock Holmes to my Pilot Metropolitan Fine.


Try using a dry ink with a wet nib. If you like writing in a stronger manner, you may want to try a drier ink that is less prone to smear, such the inks provided by Pelikan 4001 or the inks created by Graf von Faber-Castell.